Q. You have two new books in the stores right now – THE KID FROM DIAMOND STREET (Clarion Books, March 29), which is nonfiction, and a fiction picture book with the delightful title, I WON A WHAT? (Knopf, April 12). Would you tell us a little about these two very different books and how they came about?
A. I am a fan of baseball history, but not in a statistics way. I love the stories. THE KID FROM DIAMOND STREET is my third nonfiction book about baseball. The second was titled BROTHERS AT BAT, a true story about a team comprised of the 12 Acerra Brothers of Long Branch, NJ. When I was working on that book, I was in touch with the director of research at the Baseball Hall of Fame who mentioned something about an all-sister softball team. When I asked for more information on that, the file was nowhere to be found! But he suggested I check out the Bobbies, a Philadelphia women’s baseball team (named for the hairstyle all players shared).
Edith was the team’s star player. When she was only ten years old, she was playing shortstop on a professional team! She was a true phenom, grabbing all the headlines from her much older teammates (which was not her intention. That girl just loved to play). It’s possible I became a tiny bit obsessed with Edith when I saw a photograph of her. I remember when I showed it to you, you said she looked like a cross between Scout Finch and Mary Pickford. Thinking about Edith’s fierce determination consistently impresses me and fills me with awe. I could talk about her all day.
I WON A WHAT? is a story about a kid who has always wanted a pet. He talks his parents into letting him keep whatever he wins at the goldfish booth at a carnival. And then he wins a whale. I remember having the idea for this one--written as “Kid tries to win goldfish but wins whale--which may be the best synopsis I have ever written. (It’s not my strong suit.)
The challenge came on, say, page five. He won a whale. Now what?
I needed a little spark of inspiration to help me find the rest of the story. So I started reading about people’s experiences interacting with whales. Many people wrote, in describing whale-watching expeditions, of having the feeling that they were being watched carefully by the whales. Somehow, that little observation was a spark for me—it helped me understand the friendship, based primarily on watching and understanding and thinking, between the boy and his pet. And I got lucky with this book—the ending (which can be such a hard thin) just came out my fingers without me even thinking about it. And I think it’s my favorite ending of all the books I’ve written.
Q. What is it about writing for young readers that appeals to you?
A. I am sure it has to do with the connection I felt to the books I loved as a child. My love for those books—Ursula Nordstrom’s THE SECRET LANGUAGE, Louise Fitzhugh’s HARRIET THE SPY, France Hodgson Burnett’s THE SECRET GARDEN and many others—was akin to the love you feel for a real best friend. I was a serious re-reader in those days. I have always been one to read purely for pleasure, never analytically, but I believe a brain begins to sort things out, to understand structure, when you reread books, particularly when you’re young (and your brain isn’t yet cluttered with lyrics to every Beatles song). Without having to give it thought, you start to understand, intuitively, how a story is told when you reread books. But I digress. I wanted to say that with THE SECRET GARDEN, I must have read the scene in which they first discover that garden hundreds of times, awed by the way words created magic. Read More